Albert Kuvezin famous quotes

I grew up during the Communist time. When I was a student and I especially wanted to play rock, that was a problem for all rock musicians in the Soviet Union. My friends liked it, but all the Communist officials, bureaucrats, teachers, didn't like this. There was very powerful propaganda against capitalism and the Western ideology. Everything that was connected to the West - rock music, jeans, long hair, loud music - everything was not allowed. But luckily that's now in the past. I hope.
-- Albert Kuvezin

#Teacher #Powerful #Past

We learned Russian music, and of course Western European classical music, but nothing from our own Tuvan culture. I think that was the biggest problem of Communists - they didn't care about the cultural life of aboriginal people, here especially in Siberia. Maybe it brought them to collapse.
-- Albert Kuvezin

#Thinking #People #Culture

I always try to be ironistic in everything I do. I love people who understand humor and who live through humor. So, of course, I was not too serious covering such things as Motörhead or "Black Magic Woman" by Santana. But I was serious enough about Led Zeppelin and the Celtic song "Wild Mountain Thyme." In my life, serious and humor are always together.
-- Albert Kuvezin

#Song #People #Black

I want to sing using a throatsinging style, like for example kargyraa, but at the same time sing it like a normal way. Maybe I will try some opera. To sing a melody, and to sing not only Tuvan traditional melodies, but I would like to try Western classics, blues. I think Tuvan music and American blues are very close to each other.
-- Albert Kuvezin

#Thinking #Style #Trying

We are too much in the machine world today. Even here in Tuva we've got every year more and more cars and other technologies, and of course it brings more pollution to our air, to nature. And I think the idea of the Kraftwerk song is people should not be very much mechanized or to be a machine in the world of machines. The idea is to try to find a golden middle between the world of nature and the world of machines.
-- Albert Kuvezin

#Song #Technology #Thinking

I would be happy if I could meet some musicians interested in different acoustics and traditional music. Maybe I will find some Native American or Latin tunes. Anything. Even maybe a great heavy metal guitar player or drummer, and we can do something wild together. My next step is making more music without formats or borders. Not just simple songs or doing covers, but music with more ideas. I think it will again be a synthesis with something else.
-- Albert Kuvezin

#Song #Latin #Native American

I had an acting teacher tell me once that if you're playing a car salesman, you don't want to be an OK car salesman, you want to play the best car salesman.

I started with ballet and then my cousin Sarah introduced me to her tap teachers.

Unconditional love is an illogical notion, but such a great and powerful one.

A community is democratic only when the humblest and weakest person can enjoy the highest civil, economic, and social rights that the biggest and most powerful possess.

You may be sitting in a room reading this book. Imagine one note struck upon the piano. Immediately that one note is enough to change the atmosphere of the room - proving that the sound element in music is a powerful and mysterious agent, which it would be foolish to deride or belittle.

It's too late. We can't win, they've gotten too powerful.

Often we want people to pray for us and help us, but we always defeat our object when we look too much to them and lean upon them. The true secret of union is for both to look upon God, and in the act of looking past themselves to Him they are unconsciously united.

Any city may have one period of magnificence, like Boston or New Orleans or San Francisco, but it takes a real one to keep renewing itself until the past is perennially forgotten.

In my opinion, most of the great men of the past were only there for the beer - the wealth, prestige and grandeur that went with the power.

I can't tell you where a poem comes from, what it is, or what it is for: nor can any other man. The reason I can't tell you is that the purpose of a poem is to go past telling, to be recognised by burning.