Andrew Tudor famous quotes
Last updated: Sep 5, 2024
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Occasional observers of horror movies have a nasty habit of asking why it is that there is always some poor misguided soul who opens the door to the cellar or to the attic or to the crypt when it's quite clear that no sane person would even consider it.
-- Andrew Tudor -
Like the panic stricken populace of 'The War of the Worlds' and countless other 1950s invasion movies, the victims are there to provide the human ground over which monster and expert, threat and defender, disordering and ordering impulses can battle it out. Second-class citizens of the genre, they are narratively indispensable because physically entirely disposable. We are only really involved with them in the momentary tension of their capture or demise.
-- Andrew Tudor -
Typical horror movies of the 1930s were often given a period setting in what looked like a kind of stylized 19th century... the sense of 'elsewhen', of distance, lent to many of these movies by their settings. They exist, as it were, in a 19th century of the mind.
-- Andrew Tudor -
Contemporary audiences, other than those making a deliberate historical leap, would find, say, the 1931 'Dracula' impossibly slow.
-- Andrew Tudor -
In a Western or a thriller there is often room for reflection upon the coercive necessities; even, occasionally, some attempt to pose other possibilities. In the horror movies there is finally a Hobbesian state of nature: 'continual fear and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short'.
-- Andrew Tudor -
Along with supernature and science, there is one other major source of horror movies disorder: the human psyche, most commonly homicidal psychosis. Unlike 'mad' scientists, horror-movies madmen are not visionary obsessives, glorifying in scientific reason as they single-mindedly purse their researches. They are, rather, victims of overpowering impulses that well up from within; monsters brought forth by the sleep of reason, not by its attractions.
-- Andrew Tudor -
In 'Play Misty For Me', its inexplicably assertive knife-woman nearly manages the impossible task of slaughtering Clint Eastwood.
-- Andrew Tudor
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The getting out of doors is the greatest part of the journey.
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It's a fact of earthly life that when God opens the windows of heaven to bless us, the devil opens the doors of hell to blast us. When God begins moving, the devil fires up all his artillery.
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You know Nana, I searched and searched, but could never find the key that unlocked the way. And now that I've stopped looking, I've finally found it. Maybe the door will open for me.
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A nation is all the individuals of same blood, forming by their cohesion a natural related collective being with it s own organs and state which are social classes and the State and the same soul, which is nationality.
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Even when reading is impossible, the presence of books acquired (by passionate devotion to them) produces such an ecstasy that the buying of more books than one can peradventure read is nothing less than the soul reaching towards infinity ... we cherish books even if unread, their mere presence exudes comfort, their ready access, reassurance.
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I don't know of a soul who packed more living into 72 years than Charles Lindbergh did.
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A GOOD old-fashioned sex tape pretty much guarantees you a star on Hollywood Boulevard.
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I grew up in Brentwood, but I live now in Los Feliz. I grew up on the beach, now I live under the Hollywood sign.
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There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
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What's really exciting for me is communicating to other people and not just going somewhere to make a movie. That's Hollywood to me and it would mean nothing.
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