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This writing business. Pencils and what-not. Over-rated, if you ask me. Silly stuff. Nothing in it.
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Science fiction is a field of writing where, month after month, every printed word implies to hundreds of thousands of people: 'There is change. Look, today's fantastic story is tomorrow's fact.
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The only way to write is well and how you do it is your own damn business.
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In the middle of nowhere, along a quiet stretch of road, the diner dreamt of the hungry dead. And of two men.
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Plant trees. They give us two of the most crucial elements for our survival: oxygen and books.
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Eagleton has spent his life inside two mental boxes, Catholicism and Marxism, of both of which he is a severe internal critic—that is, he frequently kicks and scratches at the inside of the boxes, but does not leave them. Neither are ideologies that loosen their grip easily, and people who need the security of adherence to a big dominating ideology, however much they kick and scratch but without daring to leave go, hold on to it every bit as tightly as it holds onto them. The result is of course strangulation, but alas not mutual strangulation: the ideology always wins.
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I want to leave my readers with a sequence of ideas/phrases that makes them question something they'd taken for granted. Or that confuses them to the point that they laugh, but contains one or two phrases/lines that stick in their minds.
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If a literary man puts together two words about music, one of them will be wrong.
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On Positive Liberty: The business of the State is to use its organizing powers for the purpose of furnishing the necessary conditions which allow this people freely to unfold its creative faculties.
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Serendipity is the way to make discoveries, by accident but also by sagacity, of things one is not in quest of. Based on experience, knowledge, it is the creative exploitation of the unforeseen.
