Georgie Henley famous quotes

Last updated: Sep 5, 2024

  • The art world is now a fashion industry, led by its Whitney Biennial 'nose for the new look.' But nobody, it seems, has the guts or the brains to blow the necessary whistle and holler, 'Hold on guys! What the hell is this ugly bit of business?

  • The war against Russia will be such that it cannot be conducted in a knightly fashion. This struggle is one of ideologies and racial differences and will have to be conducted with unprecedented, unmerciful and unrelenting harshness.

  • People always ask what I would have done if I weren't doing what I'm doing. And I say I'd [still] be in fashion or in beauty. It's such a dream come true now because I have the ability to go into home [goods] and accessories as well.

  • So in the Libyan fable it is told That once an eagle, stricken with a dart, Said, when he saw the fashion of the shaft: With our own feathers, not by others' hands, Are we now smitten.

  • To take part in the African revolution, it is not enough to write a revolutionary song. You must fashion the revolution with the people. And if you fashion it with the people, the songs will come by themselves.

  • Everyone chases after happiness, not noticing that happiness is right at their heels.

  • I broke my ankle ten years ago so high heels are not an option unless I'm literally going door to door for a function.

  • We all shared an admiration of Debussy both as a musician and as sort of an icon for the 20th century. It seemed like an interesting idea to go right back 100 years to find the source of some new ideas now.

  • In questioning initially whether I am a great investor, I open the door to question whether other similarly esteemed public icons like Bill Miller are as well. It seems, perhaps, that the longer and longer you keep at it in this business the more and more time you have to expose your Achilles heel - wherever and whatever that might be.

  • In the United States those bits of our history that remain are paved over, sanitized, packaged for easy consumption. At those sites not already lost to commercial development, we walk between velvet ropes, herded by guides, warned not to touch. Our icons are preserved under glass, their magic demystified in glossy brochures.