Harry Harlow famous quotes

Last updated: Sep 5, 2024

  • Because of a friend, life is a little stronger, fuller, more gracious thing for the friend's existence, whether he be near or far. If the friend is close at hand, that is best; but if he is far away he still is there to think of, to wonder about, to hear from, to write to, to share life and experience with, to serve, to honor, to admire, to love.

  • I had casually rented an apartment that cost $75 a month because I expected my writing to pay my way.

  • The test of a good letter is a very simple one. If one seems to hear the other person talking as one reads, it is a good letter.

  • You have to remember that I was a bright but simple fellow from Canada who seldom, if ever, met another writer, and then only a so-called literary type that occasionally sold a story and meanwhile worked in an office for a living.

  • One day people will touch and talk perhaps easily, and loving be natural as breathing and warm as sunlight, and people will untie themselves, as string is unknotted, unfold and yawn and stretch and spread their fingers, unfurl, uncurl like seaweed returned to the sea, and work will be simple and swift as a seagull flying, and play will be casual and quiet as a seagull settling, and the clocks will stop, and no one will wonder or care or notice, and people will smile without reason, even in winter, even in the rain.

  • A simple yet profound way to create a healthy body, a stress-free mind, and a peaceful sense of well-being.

  • In Chekhov, when people leave, a carriage is taking them away forever. The stakes are so high just for someone to make a simple exit. And now we have all this access to public transportation, automobiles and jets and the Internet; we're so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.

  • If you want to be a psychological novelist and write about human beings, the best thing you can do is keep a pair of cats.

  • As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.

  • It is in their 'good' characters that novelists make, unawares, the most shocking self- revelations.

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