Naoko Mori famous quotes

Last updated: Sep 5, 2024

  • The moment that any life, however good, stifles you, you may be sure it isn't your real life.

  • The artist draws a picture of a rose very nicely with all attention and artistic sense, and yet it does not become as perfect as the real rose. If that is the real fact, how can we say that the real rose has taken its shape without Intelligence behind the beauty?

  • The whole bible is the working out of the relationship between God and man. God is not a dictator barking out orders and demanding silent obedience. Were it so, there would be no relationship at all. No real relationship goes just one way. There are always two active parties. We must have reverence and awe for God, and honor for the chain of tradition. But that doesn't mean we can't use new information to help us read the holy texts in new ways.

  • Those who can bring themselves to renounce wealth, position and power accruing from a social system based on violence and putting a premium on acquisitiveness, and to identify themselves in some real fashion with the struggle of the masses toward the light, may help in a measure - more, doubtless, by life than by words - to devise a more excellent way, a technique of social progress less crude, brutal, costly and slow than mankind has yet evolved.

  • I want to be a real artist to consumers. I want to be the real thing for them.

  • When a Krishna Conscious person is elevated to a responsible position, he never becomes puffed up. Just like a tree when over-laden with fruits becomes humble and lower down. Similarly, a great soul in Krishna Consciousness becomes humbler than the grass and bowed down like the fruitful trees because a Krishna Conscious person acts as the agent of Krishna, therefore he discharges his duty with great responsibility.

  • A news organization has a much different responsibility. I might not be telling you the whole story. I might not be telling you a story in a manner that is properly sophisticated.

  • The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.

  • Often we want people to pray for us and help us, but we always defeat our object when we look too much to them and lean upon them. The true secret of union is for both to look upon God, and in the act of looking past themselves to Him they are unconsciously united.

  • People seldom refuse help, if one offers it in the right way.