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Get up now and go and find Robert Kilroy-Silk. Smile in a warm, friendly sort of way, then punch him on the nose. Now go and find Robert on television, despite my best endeavours, this is still relatively easy to do. Wait for a close-up, same smile, and punch him on the nose. If you followed the instructions carefully, you will have noticed a distinct difference. On the one hand, you were suffused with a sense of public-spirited righteousness; on the other, you're probably dribbling blood. That's the difference between reality in life and reality on television.
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Louis de Bernires is in the direct line that runs through Dickens and Evelyn Waugh. . .he has only to look into his world, one senses, for it to rush into reality, colours and touch and taste.
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Nobody does Israel any service by proclaiming its 'right to exist.' Israel's right to exist, like that of the United States, Saudi Arabia and 152 other states, is axiomatic and unreserved. Israel's legitimacy is not suspended in midair awaiting acknowledgement.... There is certainly no other state, big or small, young or old, that would consider mere recognition of its 'right to exist' a favor, or a negotiable concession.
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Fifty-seven countries in the world, a third of the United Nations, do not recognize Israel. In a way, I think North Korea has better international relations than Israel.
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Mr. President, prime ministers, let us have ambitions: ambitions to move beyond the violence and occupation, to the day when two states, Palestine and Israel, can live together side by side in peace and security.
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Is Israel going to continue to be 'Fortress Israel'? Or, as we all hope, become accepted into the neighborhood, which I believe is the only way we can move forward in harmony.
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I worry because there is a basic asymmetry, an imbalance, between the two parties. For the Palestinians, it is about status and sovereignty, which could always be adjusted, while for Israel it is about security and trust. And security is something you can't adjust. If you make a mistake on the scrutiny issue, there is no going back.
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My downtime tends to resemble my uptime. Weekends are workdays, but toned down. Over the whole weekend, I may have five meetings, as opposed to six on a weekday. I used to play piano for 30 minutes at night, but I had to pull that out of my schedule. I don't have time for nonwork stuff.
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When you're writing a movie or a play and writing isn't going well, which is for me the normal condition - it's an exceptional day when suddenly I've got something and it's going well - you can call the studio or the producer or whoever is waiting for it and say, "I know I said I was going to have it in by the end of the summer.
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Anyone who's got a guitar, you like to pick it up. I can play a couple of songs, some '50s rock and roll, a bit of Elvis. That's it, really - I'm not a musician, I'm not a singer.
