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We are living in an era in which billions of people are grappling to promote communication, tolerance, and understanding over the more destructive forces of war, terrorism, and political chaos that have characterized the beginning of the 21st Century.
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Expression and communication in the peak–experiences tend often to become poetic, mythical, and rhapsodic, as if this were the natural kind of language to express such states of being.
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Language can be a way of hiding your thoughts and preventing communication.
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Television should be the last mass communication medium to be naively designed and put into the world without a surgeon-general's warning.
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I have done scenes as Harvey Two-Face. It's interesting. I won't tell you exactly what we're going for, but I think that I can say that it will use all of today's technology to create this character. He's going to be interesting, and I think that's what makes this character important in the movie-you get to see him as he was before, as in the comic books. Harvey is a very good guy in the comic books. He's judicious. He cares. He's passionate about what he loves and then he turns into this character. So you will see that in this film.
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I've always been a bit of a mix between art and technology. I used to paint a lot, but I'm not very good with my hands. It has always been a fusion between my computer gaming interests and being exposed to the rich data of society that we live in.
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I interned at Miramax and subsequently at Paramount because I was really curious about the future of entertainment - how were we going to get films online? While the inspiration for Box didn't come from that experience directly, it was very obvious that bigger businesses had a lot of slow processes and cumbersome technology.
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I don't understand technology, and I'm very scared of it.
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Film is very much a universal and common voice, and we can't limit it to one particular culture.
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I've benefited from the best of both societies and both cultures, East and West.
