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I've always been a bit of a mix between art and technology. I used to paint a lot, but I'm not very good with my hands. It has always been a fusion between my computer gaming interests and being exposed to the rich data of society that we live in.
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The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists.
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We look at the world and see what we have learned to believe is there. We have been conditioned to expect... but, as photographers, we must learn to relax our beliefs.
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I never had any other desire so strong, and so like covetousness, as that ... I might be master at last of a small house and a large garden, with very moderate conveniences joined to them, and there dedicate the remainder of my life to the culture of them and the study of nature.
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Go to the meadows, go to the garden, go to the woods. Open your eyes!
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I think too many of my Republican friends are into perpetual warfare in the Middle East. And that scares the bejesus out of me.
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Can we fight against and subdue ourselves? That is the greatest difficulty we ever encountered, and the most arduous warfare we ever engaged in.
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You do have to change things as warfare changes.
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[Warfare is] maleness in its absurdest extremes. Here is to be studied the whole gamut of basic masculinity, from the initial instinct of combat, through every form of glorious ostentation, with the loudest accompaniment of noise.
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For the helmsman is recognized in the tempest; in the warfare the soldier is proved.
