Edward Vilga famous quotes
Last updated: Sep 5, 2024
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Corpse Pose sounds like no big deal, right? Then what’s so difficult about this spiritualized snooze? Forget about getting your feet behind your head. Just try lying still for ten minutes. With nothing left to do, you’re finally forced to come face to face with yourself.
-- Edward Vilga -
Never invest so much in anyone romantically that you lose your head. The Buddha of casual sex, I remain detached at all costs.
-- Edward Vilga -
I learned early on that most yoga poses are about showing off. You find something amazing you can do, and suddenly, Shazam—you’re a guru, ready for your groupies.
-- Edward Vilga
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The difference between human heroes and sacred characters lies just in this: the man is just a man, but behind the man of God, God Himself is ever standing greater than the man and overshadowing him by His infinite and glorious presence.
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Here dead lie we because we did not choose to live and shame the land from which we sprung. Life, to be sure, is nothing much to lose; but young men think it is, and we were young.
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Hope lies to mortals And most believe her, But man's deceiver Was never mine.
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White in the moon the long road lies.
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Our first duty is to satisfy the spiritual master, who can arrange for the Lord's mercy. A common man must first begin to serve the spiritual master or the devotee. Then, through the mercy of the devotee, the Lord will be satisfied. Unless one receives the dust of a devotee's lotus feet on one's head, there is no possibility of advancement. Unless one approaches a pure devotee, he cannot understand the Supreme Personality of Godhead.
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an optimist is the man who looks after your eyes, and the pessimist the person who looks after your feet.
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Better to die on your feet than live on your knees.
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Good satire goes beyond the specific point it’s trying to make and teaches you how to think critically. Even after your favorite cartoonist retires or [Stephen] Colbert wraps it up, you’re not left believing everything they’re telling you.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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Right now I'm doing four shows at a time, trying to read four outlines every week, four scripts every week, and watching four rough cuts; it's a lot of good work. It's fun to do it, but it does wear you out.
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