Michael Moorer famous quotes

Last updated: Sep 5, 2024

  • The test of a good letter is a very simple one. If one seems to hear the other person talking as one reads, it is a good letter.

  • Tomer: “What's this?” Cabinet: “Wt's ths?” Wedge: “Cabinet.” Tomer: “I know it's a cabinet, but it's talking.” Cabinet: “...ts tlkng” Janson: “Oh that. It's the Catann Minister of Crawling Into Very Small Spaces.” Tycho: “He bet Wedge he could fold himself in the that cabinet, around the shelves and all.” Hobbie: “Never bet against Wedge. The Minister gets to stay in there until he admits that it was a stupid bet and that Wedge doesn't owe him anything.

  • When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them.

  • I, talking about my children, of course I wanted them to succeed in life, they have to choose whatever job or occupation that they want, I will not try to influence.

  • I've always boxed, I always taught boxing.

  • Sure there have been injuries and deaths in boxing - but none of them serious.

  • Trainers give of themselves. So, I learned and I projected it with my fighter.

  • This kid deserves anything good that happens to him. He's such a good guy. He's just the nicest human being you want to meet.

  • The match would have to be made at 165 pounds. Sean can't make 160 any more, even though he's drinking lite beer these days

  • From all these experiences the most important thing I have learned is that legibility and beauty stand close together and that type design, in its restraint, should be only felt but not perceived by the reader.

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