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Science fiction is never about the future, in the same way history is rarely about the past: they're both parable formats for examining or commenting on the present.
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I can't tell you where a poem comes from, what it is, or what it is for: nor can any other man. The reason I can't tell you is that the purpose of a poem is to go past telling, to be recognised by burning.
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Television gives us the gift to see ourselves as we'd like to be seen.
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There is not a command God gives to His children for which He does not provide the enablement for obedience.
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Give crowns and pounds and guineas But not your heart away; Give pearls away and rubies, But keep your fancy free.
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He gives me the hairy eyeball, and asks me to help him find his pancreas.
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I am a big admirer of Sachin and his personality. He is a source of inspiration for the country and just looking at his photographs gives a lot of positive vibes.
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We do not merely perceive objects and hold thoughts in our minds: all our perceptions and thought processes are felt. All have a distinctive component that announces an unequivocal link between images and the existence of life in our organism.
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I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative switftly forward, or slow it down. It often lifts mere dialogue into the realm of poetry. Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience.
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People often represent the weakest link in the security chain and are chronically responsible for the failure of security systems.
