Doris Humphrey famous quotes
Last updated: Sep 5, 2024
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The Dancer believes that his art has something to say which cannot be expressed in words or in any other way than by dancing.
-- Doris Humphrey -
The person drawn to dance as profession is notoriously unintellectual. He thinks with his muscles, delights in expression with body, not words; finds analysis painful and boring; and is a creature of physical ebullience.
-- Doris Humphrey -
Nothing so clearly and inevitably reveals the inner man than movement and gesture. It is quite possible, if one chooses, to conceal and dissimulate behind words or paintings or statues or other forms of human expression, but the moment you move you stand revealed, for good or ill, for what you are.
-- Doris Humphrey -
There are times when the simple dignity of movementcan fulfill the function of a volume of words.
-- Doris Humphrey -
Dance form is logical, but it is all in the realm of feeling, sensitivity and imagination...
-- Doris Humphrey -
The Dancer believes that his art has something to say which cannot be expressed in words or in any other way than by dancing... there are times when the simple dignity of movement can fulfill the function of a volume of words. There are movements which impinge upon the nerves with a strength that is incomparable, for movement has power to stir the senses and emotions, unique in itself. This is the dancer's justification for being, and his reason for searching further for deeper aspects of his art.
-- Doris Humphrey -
There are movements which impinge upon the nerves with a strength that is incomparable, for movement has power to stir the senses and emotions, unique in itself.
-- Doris Humphrey -
Certainly we must be strong, but strength is, to me, not just a force, but rather a vocabulary of many means
-- Doris Humphrey -
Art is for stimulation, excitement, adventure.
-- Doris Humphrey
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As my poor father used to say In 1963, Once people start on all this Art Goodbye, moralitee! And what my father used to say Is good enough for me.
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Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed. Having once experienced the mystery, plenitude, contradiction, and composure of a work of art, we afterward have a built-in resistance to the slogans and propaganda of oversimplification that have often contributed to the destruction of human life. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization.
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Design should do the same thing in everyday life that art does when encountered: amaze us, scare us or delight us, but certainly open us to new worlds within our daily existence.
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As a kid, I was always into art at the same time as computers, and eventually I realised I was making more interesting stuff with my keyboard than with my hands. I really enjoyed modifying computer games more than playing them, so that got me into programming.
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Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? In some respects historical research is analogous with that of science. The bringing to light of factual material and the development of ideas is to a large extent cumulative. But when artists themselves were, from about 1910, beginning to tear down the bastions protecting Art in its ivory tower, questioning the idea of Art with a capital 'A', photography was inevitably to assume a new stature both in the eyes of artists and the public, too.
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A country scratching a lazy irritation at sagging doorjambs and late trains, whose greatest attribute is a collective, smelly tolerance, where a chap will put up with almost everything, which means he won't care about anything enough to get out of a chair.A country of public insouciance and private, grubby guilt, where you can believe anything as long as you don't believe it too fervently. A country where the highest aspiration is for a quiet life.
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You can have whatever you want if you believe in yourself and keep your feet firmly planted in the ground.
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I was a narrative historian, believing more and more as I matured that the first function of the historian was to answer the child's question, "What happened next?
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On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
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Oh! if to dance all night, and dress all day, Charm'd the small-pox, or chas'd old age away; . . . . To patch, nay ogle, might become a saint, Nor could it sure be such a sin to paint.
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