Ellen Dissanayake famous quotes
Last updated: Sep 5, 2024
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In every human society of which we know - prehistoric, ancient or modern, whether hunter-gatherer, pastoral, agricultural or industrial - at least some form of art is displayed, and not only displayed, but highly regarded and willingly engaged in.
-- Ellen Dissanayake -
We can begin a discussion of artmaking by noting that from very early (as long ago as 200,000 years), humans have been naturally attracted to the extraordinary as a dimension of experience and that at some point they seem also to have been moved to make the ordinary extraordinary-that is, to shape or elaborate everyday, mundane reality and thereby transform it into something special, different from the everyday.
-- Ellen Dissanayake -
Art is a normal and necessary behavior of human beings and like other common and universal occupations such as talking, working, exercising, playing, socializing, learning, loving, and caring, should be recognized, encouraged and developed in everyone. Via art, experience is heightened, elevated, made more memorable and significant
-- Ellen Dissanayake -
I suggest that what artists do in all media can be summarized as deliberately performing the operations that occur instinctively during a ritualized behaviour: they simplify or formalize, repeat (sometimes with variation), exaggerate, and elaborate in both space and time for the purpose of attracting attention and provoking and manipulating emotional response.
-- Ellen Dissanayake -
Art transforms the ordinary into the extraordinary.
-- Ellen Dissanayake
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Design should do the same thing in everyday life that art does when encountered: amaze us, scare us or delight us, but certainly open us to new worlds within our daily existence.
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I've always been a bit of a mix between art and technology. I used to paint a lot, but I'm not very good with my hands. It has always been a fusion between my computer gaming interests and being exposed to the rich data of society that we live in.
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Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? In some respects historical research is analogous with that of science. The bringing to light of factual material and the development of ideas is to a large extent cumulative. But when artists themselves were, from about 1910, beginning to tear down the bastions protecting Art in its ivory tower, questioning the idea of Art with a capital 'A', photography was inevitably to assume a new stature both in the eyes of artists and the public, too.
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You can't teach a hunter it's wrong to kill.
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Africa is mystic; it is wild; it is a sweltering inferno; it is a photographer's paradise, a hunter's Valhalla, an escapist's Utopia. It is what you will, and it withstands all interpretations. It is the last vestige of a dead world or the cradle of a shiny new one. To a lot of people, as to myself, it is just 'home'. It is all these things but one thing - it is never dull.
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The theory I'm putting forward here is that storytelling is a genetic characteristic in the sense that early human hunters who were able to organize events into stories were more successful than hunters who weren't—and this success translated directly into reproductive success. In other words, hunters who were storytellers tended to be better represented in the gene pool than hunters who weren't, which (incidentally) accounts for the fact that storytelling isn't just found here and there among human cultures, it's found universally.
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The university is our culture's assertion that what is made by the mind has value and can convey values.
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In order to be universal, you have to be rooted in your own culture.
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Film is very much a universal and common voice, and we can't limit it to one particular culture.
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When you talk about rap you have to understand that rap is part of the Hip-Hop culture.
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