George Frisbie Hoar famous quotes

Last updated: Sep 5, 2024

  • There is a beautiful and life-enhancing alternative outlook that offers insight, consolation, inspiration and meaning, which has nothing to do with religion, and everything to do with the best, most generous, most sympathetic understanding of human reality.

  • It's been a straight strip, I must tell you, I've enjoyed it all the way. If I'm saying things to make it sound like it's hard, hard work, it's not. It's beautiful work. It's fun work. It's everything you'd ever want to do.

  • If a country is to be corruption free and become a nation of beautiful minds, I strongly feel there are three key societal members who can make a difference. They are the father, the mother and the teacher.

  • God requires no person to spend his or her life reiterating the gospel to people who will not receive it. He wants everyone to have an opportunity to hear. Then He would have us move on to other areas. The mistake of the church has been that she sits down to convert all the people in one country to the neglect of the great masses who have never had the chance to hear the gospel - not even once!

  • It is always the young that make the change. You don't get these ideas when you're middle-aged. Young people have daring, creativity, imagination and personal computers. Above all, what you have as young people that's vitally needed to make social change, is impatience. You want it to happen now. There have to be enough people that say, ‘We want it now, in our lifetime.’ This is your moment. This is your opportunity. Be adventurists in the sense of being bold and daring. Be opportunists and seize this opportunity, this moment in history, to go out and save our country. It's your turn now.

  • The truth and the facts aren't necessarily the same thing. Telling the truth is the object of all art; facts are what the unimaginative have instead of ideas.

  • Teachers believe they have a gift for giving; it drives them with the same irrepressible drive that drives others to create a work of art or a market or a building.

  • While other creators make a big show of their art Mani Sir makes it look as though anyone can do what he does.

  • The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists.

  • Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? In some respects historical research is analogous with that of science. The bringing to light of factual material and the development of ideas is to a large extent cumulative. But when artists themselves were, from about 1910, beginning to tear down the bastions protecting Art in its ivory tower, questioning the idea of Art with a capital 'A', photography was inevitably to assume a new stature both in the eyes of artists and the public, too.

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