Miroslav Tichy famous quotes
Last updated: Sep 5, 2024
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If you want to be famous, you must do something more badly than anybody in the entire world.
-- Miroslav Tichy -
Photography is painting with light! The blurs, the spots, those are errors! But the errors are part of it, they give it poetry and turn it into painting. And for that you need as bad a camera as possible! If you want to be famous, you have to do whatever you're doing worse than anyone else in the whole world.
-- Miroslav Tichy -
If you want to be famous, you have to do whatever youre doing worse than anyone else in the whole world.
-- Miroslav Tichy
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The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists.
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To me documentary photography means making a picture so that the viewer doesn’t think about the man who made the picture. At its esthetic core is very old tradition in art: naturalism. And its purpose is to document all facets of social relationships.
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The business of making a photograph may be said in simple terms to consist of three elements: the objective world (whose permanent condition is change and disorder), the sheet of paper on which the picture will be realized, and the experience which brings them together.
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What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction.
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I was given a small camera as a wedding gift from a very dear friend. My first pictures were taken on my honeymoon. As soon as I became familiar with the camera, I was intrigued with the possibilities of expression it offered. It was like a discovery for me.
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Forget the camera, forget the lens, forget all of that. With any four-dollar camera, you can capture the best picture.
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Art is the lens through which I experience the world. Art is the medium to present the human condition... love, fear, bewilderment, pleasure, distaste, brotherhood and all the subtleties that we all know...
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The sacred cannot be precisely defined. Each of us perceives it through the lens of a unique personal history. For me, sacredness is an experience of the inner radiance of life, the unseen force that transforms and nourishes the physical world but is never limited by it. There is something more to it, a mystery that is never totally grasped.
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The lens of fear magnifies the size of uncertainty.
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You see the world, you end up in jail three or four times, you accumulate experience. And it gives you something to say. If you don't have anything to say then you shouldn't be making films. It's nothing to do with what lens you're using.
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