Richard Maxwell famous quotes

Last updated: Sep 5, 2024

  • Every historian loves the past or should do. If not, he has mistaken his vocation; but it is a short step from loving the past to regretting that it has ever changed. Conservatism is our greatest trade-risk; and we run psychoanalysts close in the belief that the only "normal" people are those who cause no trouble either to themselves or anybody else.

  • I can't tell you where a poem comes from, what it is, or what it is for: nor can any other man. The reason I can't tell you is that the purpose of a poem is to go past telling, to be recognised by burning.

  • It is time, therefore, to abandon the superstition that natural science cannot be regarded as logically respectable until philosophers have solved the problem of induction. The problem of induction is, roughly speaking, the problem of finding a way to prove that certain empirical generalizations which are derived from past experience will hold good also in the future.

  • I didn't think about anything past tomorrow because anything past tomorrow was just like cloud busting - it depended soley on the person looking at the clouds and it could rain any minute

  • Through the death of Christ on the cross making atonement for sin, we get a perfect standing before God. That is justification, and it puts us, in God's sight, back in Eden before sin entered. God looks upon us and treats us as if we had never sinned.

  • So perfect — I’m right where I need to be!

  • Design should do the same thing in everyday life that art does when encountered: amaze us, scare us or delight us, but certainly open us to new worlds within our daily existence.

  • The future lies in designing and selling computers that people don't realize are computers at all.

  • I would like to mention that I have flown the 262 first in May ‘43. At this time, the aircraft was completely secret. I first knew of the existence of this aircraft only early in ‘42 - even in my position. This aircraft didn’t have any priority in design or production.

  • If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.

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