Jeanine Basinger famous quotes
Last updated: Sep 5, 2024
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Magic in cinema is a bit like ventriloquism on the radio.
-- Jeanine Basinger -
Loving and appreciative, researched to a fare-thee-well, and pitched to both fans and first-time viewers of Singin' in the Rain, this delightful book delivers almost as much fun as the film itself.
-- Jeanine Basinger -
Everyone will tell you how rigid I am, but a teacher has to be flexible. You can't cut the student to your cloth; you have to cut yourself to theirs.
-- Jeanine Basinger -
In Beautiful, Mr. Shearer writes with humor and has fun with some of the glorious nonsense of Lamarr's movies.
-- Jeanine Basinger -
... in the movies Paris is designed as a backdrop for only three things--love, fashion shows, and revolution.
-- Jeanine Basinger -
A small town is automatically a world of pretense. Since everyone knows everyone else's business, it becomes the job of the populace to act as if they don't know what is going on instead of its being their job to try to find out.
-- Jeanine Basinger -
When Clark Gable, MGM's most popular and famous leading man asked for a percentage of the profits from his films, he was flatly refused. A top executive was reported to have said, He's nobody. We took him from nobody. We lavished him with lessons and publicity and now he's the most desired man in the world. Who taught him how to walk? We straightened his teeth and capped them into that smile. We taught this dumb cluck how to depict great emotions, and now he wants a piece of the action? Never!
-- Jeanine Basinger
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Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.
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Back when I was a professional model-maker at Industrial Light & Magic, my specialty was hard-edged construction - spaceships, miniature sets, and architectural stuff. These objects were sometimes just 12 inches across yet needed enough detail to fill a movie screen.
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I'm fanatical about movies: African, European, Viking, Roman. I got into witchcraft and magic from watching 'Bewitched' and 'The Wizard of Oz,' which shows in some of my outfits. I dress to reflect the whole spectrum of the universe.
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I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging ... you know you have a multimillion-seller hit - and what you're working on suddenly has magic,
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Disneyworld...is a historical reconstruction as sanitised as the Kremlin's, and a future vision as uncognisant of contemporary pointers as Peter Pan's. It is a magic carpet under which everything has been swept.
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For me, there is very little difference between magic and art. To me, the ultimate act of magic is to create something from nothing: It's like when the stage magician pulls the rabbit from the hat.
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Do we recognize the platform that Indian cinema has been given? Of course. And typically India of us, we gracefully acknowledge our host's grace and we thank you for celebrating us and our cinema.
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I like radio and live performing stuff. I don't like the television stuff as much.
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The radio was an improvement on the telegraph but it didn't have the same exponential, transformative effect.
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Rodgers and Hammerstein didn't mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.
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