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Besides the actual reading in class of many poems, I would suggest you do two things: first, while teaching everything you can and keeping free of it, teach that poetry is a mode of discourse that differs from logical exposition
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Well, I would hardly say I do write as yet. But I write because I like words. I suppose if I liked stone I might carve. I like words. I like reading. I notice particular words. That sets me off.
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To read is to fly: it is to soar to a point of vantage which gives a view over wide terrains of history, human variety, ideas, shared experience and the fruits of many inquiries.
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I really wished he hadn't made me hate to read the Bible. Having it shoved down my throat all my life had made me bitter toward reading it. I believed it, but my dad had used it to his benefit too many times and ignored the parts in there that would point out his wrongs. Like judging Beau without even knowing him. That was in the Bible too.
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As a general rule, I abstain from reading reports of attacks upon myself, wishing not to be provoked by that to which I cannot properly offer an answer.
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Consider what kind of car you get. Buy cars and other products that have the least impact environmentally.
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How on earth can otherwise sensible people get so involved in a football game? You could measure the lasting impact on the lives of the people who played it at just about zero.
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When I make a photograph I want it to be an altogether new object, complete and self-contained, whose basic condition is order (unlike the world of events and actions whose permanent condition is change and disorder).
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There's a certain level of pageantry with 'Idol,' and in order to work the show, you kind of have to feed into it.
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In order to be artists we need to be in our studios, in our private rooms... in our private personal space... that sacred protected space, so we can make our work. That's the only work that's worth making, right? That's the place where we can be free enough and vulnerable enough to share what we have to share.
