"I'm in my 80s and not a keen television fan."

--

Nigel Kneale

#Fans Quotes #Television Quotes #80s Quotes

“I was able to interpret the difference between the sharp, quick sound and the slow, deep sound of percussion and manipulate it, get a third sound out of things, if the beats were rapid enough.”
“Many people spend their entire lifetimes wishing that other people would acknowledge them. They feel this especially about their parents, spouses, children, and friends.”

Source : Richard Carlson (1998). “Don't Sweat the Small Stuff, and It's All Small Stuff: Simple Ways to Keep the Little Things from Taking Over Your Life”, MacMillan Publishing Company
“Played percussively, the piano is a bore. If I go to a concert and someone plays like that I have two choices: go home or go to sleep. The goal is to make the piano sing, sing, sing.”
“On the way I stood a moment looking out across the marshes with tall cattails, a patch of water, more marsh, then the woods with a few birch trees shining white at the edge on beyond. In the darkness it all looked just like I felt. Wet and swampy and gloomy, very gloomy. In the morning I painted it. My memory of it is that it was probably my best painting that summer.”
“It is that the individual has within him or herself vast resources for self-understanding, for altering the self-concept basic attitudes, and his or her self-directed behavior - and that these resources can be tapped if only a definable climate of facilitative psychological attitudes can be provided”
“To do great things, we need to be able to endure tragedy and setbacks. We've got to love what we do and all that it entails, good and bad. We have to learn to find joy in every single thing that happens.”
“It's the way the business works, you're not just an actor, you're a diplomat and a publicist and a politician, and there are certain expectations.”
“The risk climate of modernity is thus unsettling for everyone: no one escapes.”

Source : Anthony Giddens (2013). “Modernity and Self-Identity: Self and Society in the Late Modern Age”, p.128, John Wiley & Sons

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