"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."

-- Danny Elfman

#Drawing Quotes #Special Quotes #Mars Quotes

“Luxury is anything that feels special. I mean, it can be a moment, it can be a walk on the beach, it could be a kiss from your child,or it could be a beautiful picture frame, a special fragrance. I think luxury doesn't necessarily have to mean expensive.”
“Weâ€™re a different sort of thief here, Lamora. Deception and misdirection are our tools. We donâ€™t believe in hard work when a false face and a good line of bullshit can do so much more.”
“Universities are renowned for their tolerance of unusual characters, especially if they show originality and dedication to their research. I have often made the comment that not only are universities a 'cathedral' for worship of knowledge, they are also 'sheltered workshops' for the socially challenged.”

Source : Tony Attwood (2006). “The Complete Guide to Asperger's Syndrome”, p.301, Jessica Kingsley Publishers
“If you wish to succeed, you must brave the risk of failure.”

Source : Garry Kasparov (2010). “How Life Imitates Chess: Making the Right Moves, from the Board to the Boardroom”, p.96, Bloomsbury Publishing USA
“In many parts of the world, especially Pakistan and Afghanistan, terrorism, war and conflict stop children to go to their schools. We are really tired of these wars. Women and children are suffering.”
“I could be compassionate, if I wanted. Metias would be merciful. But I was never as good a person as my brother.”
“We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.”

Source : "Biography/ Personal Quotes". www.imdb.com.
“There is a form of poetic and esthetic and moral genius necessary to make philosophical issues truly incandesce for students, and even though I indeed had some world-class professors myself when I went through the curriculum, I rarely saw such gnosic or concretist/poetic passion among them. I am not speaking of broad histrionics or melodramatic delivery, but rather a moral investment of concern, of loving delight and pathos in exposing one's consciousness to the full horrific and magnificent implications of the materials.”

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