"There were many good years. Good decades, good centuries. We believed we were living in paradise. Perhaps that was our downfall. We wanted our lives to be perfect, so we ignored imperfections. Problems were magnified through inattention and war might have become inevitable if the Bore hadn't ever made."

-- Robert Jordan

#War Quotes #Years Quotes #Perfect Quotes

“Once I re-approached music I had to do it in a way that wasn't so personal for me to feel comfortable releasing it into the world. Well, of course some of them are, but I would never talk in an interview about exactly what a song is about. I like to keep my music and my life separate.”
“The foundation of our belief is a basis of fact - the fact of the birth, ministry, miracles, death, resurrection by the Evangelists as having actually occurred, within their own personal knowledge it was therefore impossible that they could have persisted in affirming the truths they have narrated, had not Jesus actually rose from the dead, and had they not known this fact as certainly as they knew any other fact.”
“There is no method except yourself.”
“True loyalty consists not in bowing the knee to earthly greatness, or in heroic deeds to "gild the kingly knave, or garnish out the fool," but in noble, generous acts of honest purpose, where truth, honor, and virtue, and a nation's welfare, are dearer than life.”
“Human minds yield helplessly to the suction of story. No matter how hard we concentrate, no matter how deep we dig in our heels, we just can't resist the gravity of alternate worlds.”

Source : Jonathan Gottschall (2012). “The Storytelling Animal: How Stories Make Us Human”, p.3, Houghton Mifflin Harcourt
“Together, these advocates create a pro-Israeli case so compelling that the idea and reality of Israel has worked itself deep into American culture, politics and foreign policy. Many American Jews refuse to accept it, but the real debate between Israelâ€™s supporters and detractors in America is all but over.”
“I still get nervous when I have a lot of makeup on, a big hairdo, and a dress.”
“Michael [Jackson] reconstructed his face and deconstructed the African features into a spooky European geography of fleshly possibilities, and yet what we couldn't deny, that even as his face got whiter and whiter his music got Blacker and Blacker. His soul got more deeply rooted in the existential agony and the profound social grief that Black people are heir to.”

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