"At times those skills were really hard to do because not only was I having to contend with the camera, but I was having to learn these new skills and the ball was always kind of doing what you didn't want it to do. So it got a little bit frustrating at times but we got there."

--

Source : Interview by Steve Head, www.ign.com. August 7, 2003.

Parminder Nagra

#Hard Times Quotes #Skills Quotes #Balls Quotes

“Everything I've done hasn't worked out - you know, some things aren't as great as others - but I'm having so much fun, who cares? Isn't that what an artist is supposed to do? We're trying to change the world. Otherwise, why be an artist? You want to shake people up and make 'em think.”

Source : Source: www.avclub.com
“In Advance of All Parting is a tough, unsentimental examination of marital grief. Musically elegant and inventive, understated and passionate, the poems give us a profound glimpse into how the events of a life can form a center of gravity that fixes the self in its force field. Theres a cold, truth-telling clarity about them that makes them as unsettling as they are beautiful. Ansie Baird has created a richly-drawn world in which this elemental drama plays out, and the result is vivid, startling poems in which pain has left its indelible tracks.”
“Let me be to my sad self hereafter kind.”

Source : Peter Pouncey (2010). “Rules For Old Men Waiting”, p.20, Random House
“If New Vegas foretells something about America's future, then the culture wars are all but over, and culture lost.”
“I watched a lot of cooking shows when I was younger on PBS and TLC and those channels. It's a very cool genre of television.”
“The roots of racism lie deep in man's nature, wounded and bruised by original sin.”
“Most women dress as if they had been a mouse in a previous reincarnation, or hope to be one in the next.”
“The playful kitten, with its pretty little tigerish gambols, is infinitely more amusing than half the people one is obliged to live with in the world.”

Source : Lady Morgan (Sydney) (1829). “The Book of the Boudoir”, p.43

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