"My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence."

-- Guy Ritchie

#Thinking Quotes #Intellectual Quotes #Sake Quotes

“You have to be able to do a bunch of things at once, and not think about things you're not doing while you're doing other things. You have to be disciplined about not trying to do everything, all at the same time. It's hard and fun.”
“I went brunette for a film called Fascination and I loved it.”

Source : "Bright Lights, Big Hair". Glamour Magazine column, March 2007.
“The horror of our history has purged me of opinions.”
“It's hard to tell what's true compassion, when it's dressed up in hair and nails and fashion.”

Source : Song: Beautiful Life, Album: Messenger, 1999
“Life is a dream even in its most painful moments, it's a dream that we can dance to.”

Source : "Carly Simon charts new course with Brazilian-inspired CD" by Charles J.Gans, www.foxnews.com. May 08, 2008.
“Given angel's wings, where might you fly? In what sweet heaven might you find your love? Unwilling to be bound, where might you move, Lost between the wonder and the why?...”
“You never know when you might come home and find Mam sitting by the fire chatting with a woman and a child, strangers. Always a woman and child. Mam finds them wandering the streets and if they ask, Could you spare a few pennies, miss? her heart breaks. She never has money so she invites them home for tea and a bit of fried bread and if it's a bad night she'll let them sleep by the fire on a pile of rags in the corner. The bread she gives them always means less for us and if we complain she says there are always people worse off and we can surely spare a little from what we have.”

Source : Frank McCourt (1999). “Angela's Ashes: A Memoir”, p.273, Simon and Schuster
“Bored with obvious reality, I find my fascination in transforming it into a subjective point of view. Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.”

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