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“I started off believing all men were equal. I now know that's the most unlikely thing ever to have been, because millions of years have passed over evolution, people have scattered across the face of this earth, been isolated from each other, developed independently, had different intermixtures between races, peoples, climates, soils... I didn't start off with that knowledge. But by observation, reading, watching, arguing, asking, that is the conclusion I've come to.”
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“I've always sort of admired and respected one's ability to be comfortable with other people's discomfort or, you know, their being comfortable making other people uncomfortable.”
Source : "Timothy Olyphant: 'Justified' In Laying Down The Law". "Fresh Air" with Terry Gross, www.npr.org. March 28, 2011.
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“I have no methods; all I do is accept people as they are.”
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“The desire of posthumous fame and the dread of posthumous reproach and execration are feelings from the influence of which scarcely any man is perfectly free, and which in many men are powerful and constant motives of action.”
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“The commas are the most useful and usable of all the stops. It is highly important to put them in place as you go along. If you try to come back after doing a paragraph and stick them in the various spots that tempt you you will discover that they tend to swarm like minnows into sorts of crevices whose existence you hadn't realized and before you know it the whole long sentence becomes immobilized and lashed up squirming in commas. Better to use them sparingly, and with affection, precisely when the need for each one arises, nicely, by itself.”
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“You … You had always made the future feel safe. As long as you were in it too, beside me, I could be okay.”
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“People are shuffling by in long coats, with shopping bags and takeout, smoking cigarettes and feigning laughter - filling up their lives with distractions to shut out the chaos.”
Source : "Working Class Zero". Book by Rob Payne, Chapter 26, 2003.
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“In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context , is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.”
Source : "Tàpies, Werke auf Papier 1943 - 2003" by Antoni Tapies, Kunsthalle Emden, edited by Achim Sommer, Altana, (p. 28), 2004.