"Seeing alters the thing that is seen and transforms the seer"

-- James Elkins

“When it comes to impending, unavoidable extinction, ignorance is bliss.”
“I've always admired the tradition of storytellers who sat in the public market and told their stories to gathered crowds. They'd start with a single premise and talk for hours - the notion of one story, ever-changing but never-ending.”
“Be. Nice. To. Each. Other!”
“I'm trying to make a primitive painting. I'm trying to summon the archaic. I want to enter into a primitive situation. This is my protest against the sensory deprivation that we experience, which is due to this tendency towards globalization, towards homogenization, towards the generic - a technological standard rather than an aesthetic standard. I'm mining history, trying to regenerate a pictorial situation that is more humanistic. It's not about commodification, it's not about fitting into some sort of corporate structure. It's opposed to that direction.”
“The anarch is oriented to facts, not ideas. He fights alone, as a free man, and would never dream of sacrificing himself to having one inadequacy supplant another and a new regime triumph over the old one. In this sense, he is closer to the philistine; the baker whose chief concern is to bake good bread; the peasant, who works his plow while armies march across his fields.”
“If you had killed Watson, you would not have got out of this room alive.”
“The thing that was forfeited in the garden was regained. God gave him [Adam] dominion over the works of His hand. God made him His understudy, His king to rule over everything that had life. Man was master, man lived in the realm of god. He lived on terms of equality with God. God was a faith God. All God had to do was to believe that the sun was, and the sun was. All God had to do was to believe that the planets would be, and they were. Man belonged to God's class of being - a faith man, And he lived in the creative realm of God”
“Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated.”

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