"If you hug to yourself any resentment against anybody else, you destroy the bridge by which God would come to you."

-- Peter Marshall

#Bridges Quotes #Christian Inspirational Quotes #Hug Quotes

“It's a unique thing to stand in front of a crowd and sing your songs.”

Source : "Mumford & Sons: sound of the summer". Interview With Alice Fisher, www.theguardian.com. March 29, 2010.
“Who said that clothes make a statement? What an understatement that was. Clothes never shut up.”

Source : Susan Brownmiller (2013). “Femininity”, p.86, Open Road Media
“We are all substantially flawed, wounded, angry, hurt, here on Earth. But this human condition, so painful to us, and in someways shameful- because we feel we are weak when the reality of ourselves is exposed- is made much more bearable when it is shared, face to face, in words that have expressive human eyes behind them...”
“I hate if a man says anything laddy. 'You're sexy' or whatever. I just want someone to be friendly and a little bit flirty.”
“It is always difficult to escape from youth; its hopefulness, its optimistic belief in the privileges of desire, its despair, and its sense of outrage and injustice at disappointment, all these spring on a man inflicting indelicate agony when he is no longer prepared.”
“All knowledge is oriented toward some object and is influenced in its approach by the nature of the object with which it is pre-occupied. But the mode of approach to the object to be known is dependent upon the nature of the knower.”

Source : Karl Mannheim (2013). “Ideology and Utopia”, p.77, Routledge
“The best advice I got from my aunt, the great singer Rosemary Clooney, and from my dad, who was a game show host and news anchor, was: don't wake up at seventy years old sighing over what you should have tried. Just do it, be willing to fail, and at least you gave it a shot. That's echoed for me all through the last few years.”
“There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.”

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