"The commonplace needs no defence,Dullness is in the critic's eyes,Without a licence life evolvesFrom some dim phase its own surprise;Under these yellow-twinkling elms,Behind these hedges trimly shorn,As in a stable once, so hereIt may be born, it may be born."

--

Source : William Plomer (1973). “Collected poems”

William Plomer

#Eye Quotes #Yellow Quotes #Phases Quotes

“Content and technology are strange bed fellows. We are joined together. Sometimes we misunderstand each other. But isn't that after all the definition of marriage?”
“By the time I was a teenager, there wasn't a show I hadn't inhaled or a character I hadn't met.”
“To be specific, is to exhibit a knowledge of the principles and art of adjusting; a comprehension of facts so systematized that they are available for the relief of disease.”
“Being excited about stuff on a daily basis, I'm so excited by it.”
“... because they are children and for no other reason they have dignity and worth simply because they are ...”

Source : Barbara Coloroso (2010). “kids are worth it! Revised Edition: Giving Your Child the Gift of Inner Discipline”, p.4, Harper Collins
“But even after the first week, when Hart got out of the presidential race because of the Washington Post's threat to reveal a long-term relationship Hart had apparently been having with a prominent Washington woman, the media continued to embellish my past.”
“I feel like you can share as many jokes as you want to because no joke you do on Twitter is ever gonna be so big on Twitter, for the most part, that you can't say it on stage that same night.”
“I don't need to control the mind of my viewer. Now this might sound contradictory because I want to make these installations set up an environment that will produce a certain kind of experience in the viewer, but beyond a certain point, I take hands off and leave it up to chance and personal experience. So maybe it's a marriage of control and no control we're talking about where the artist produces the artifact or the environment and then walks away from it, and the second half of the equation is the viewer and their personal history and how they feel about what they're experiencing.”

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