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“The myth is a surviving fragment of the psychic life of the infancy of the race whilst the dream is the myth of the individual.”
Source : Karl Abraham, Hilda C. Abraham (1979). “Clinical Papers and Essays on Psycho-analysis”, p.208, Karnac Books
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“I am sure that no man can derive more pleasure from money or power than I do from seeing a pair of basketball goals in some out of the way place.”
Source : James Naismith (1941). “Basketball: Its Origin and Development”, p.109, U of Nebraska Press
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“I have a fantastic relationship with money. I use it to buy my freedom.”
Source : Biography/Personal Quotes, www.imdb.com. 
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“The less a tourist knows, the fewer mistakes he need make, for he will not expect himself to explain ignorance.”
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“Ah, how many luxuries has the good God prepared for his Jewish children.”
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“It's Good...But No more rush hour driving To start and end your day No more early alarm calls But..much less pay No more back stabbing Or rising to the bait No more phone calls from the boss Asking you to work late But...having to get by On half your hourly rate Now you have all day To sit or doze to stay to go Anywhere you like... ..cheaply You've got less dough Travel around the world Do anything you've desired But do it economically Now that you're retired”
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“Do you know what the lurid intermixture of complicated emotions produces, according to Nathaniel Hawthorne? That's right, it produces the illuminating blaze of the infernal regions. Ryan MacDonald's glorious shards of prose are both lurid and blazing, and together they comprise an anthology of complex feelings-dream-like, vivid, and never, ever obvious.”
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“Provided we can escape from the museums we carry around inside us, provided we can stop selling ourselves tickets to the galleries in our own skulls, we can begin to contemplate an art which re-creates the goal of the sorcerer: changing the structure of reality by the manipulation of living symbols ... Art tells gorgeous lies that come true.”
Source : Hakim Bey (2003). “T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism”, p.40, Autonomedia
