"We aren't really called to save the world-not even to save one person; Jesus does that. We are just called to love with abandon. We are called to enter into our neighbors' sufferings and love them right there."

--

Source : Katie J. Davis, Beth Clark (2012). “Kisses from Katie: A Story of Relentless Love and Redemption”, p.214, Simon and Schuster

Katie Davis

#Jesus Quotes #Suffering Quotes #World Quotes

“Encouragement is like oxygen to the human spirit. Don't forget you're carrying someone else's air. Encourage them; help them breathe.”

Source : Twitter post from Nov 18, 2012
“There are two rules I've always tried to live by: turn left, if you're supposed to turn right; go through any door that you're not supposed to enter. It's the only way to fight your way through to any kind of authentic feeling in a world beset by fakery.”

Source : "This much I know" by Malcolm Mclaren, www.theguardian.com. November 15, 2008.
“It's good to be selfish. But not so self-centered that you never listen to other people.”

Source : "Hugh Hefner: What I've Learned" by Wil S. Hylton, www.esquire.com. June 2002.
“There is no mystery about my style. My movements are simple, direct and non-classical. The extraordinary part of it lies in its simplicity. Every movement in Jeet Kune-Do is being so of itself. There is nothing artificial about it. I always believe that the easy way is the right way.”
“If you're into social justice it's hard not to be on black people's side.”
“It's not a good idea to take a forecast from someone wearing a tie. If possible, tease people who take themselves and their knowledge too seriously.”
“In an age of explosive development in the realm of medical technology, it is unnerving to find that the discoveries of Salk, Sabin, and even Pasteur remain irrelevant to much of humanity.”
“Henri-Georges Clouzot's cool, clammy, twisty 1955 thriller Diabolique is an almost perfect movie about a very nearly perfect murder, a film in which the artist's methods and the killers' are ideally matched, equal in cunning and in ruthlessness. The screenplay, adapted by Clouzot and three other writers from a novel by the crack French crime-fiction team of Pierre Boileau and Thomas Narcejac, is a fantastically elaborate piece of contrivance, but the scrupulous realism of the direction makes the unnatural tale somehow feel entirely likely.”

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