"We used the camera only as a means of expression and as a visual medium that offers possibilities found in no other artistic technique, possibilities that the eye cannot catch in their totality. We tried to establish a characteristic vision of photography."

“Well, I think we are seeing some shifts in manufacturing. China, when you go in and you talk to the big manufacturers there, the biggest problems in mainland China are recruiting and retention. There isn't an endless supply of cheap labor anymore in China. And it's now true that the labor rates in Mexico are lower than in China.”

Source : "Artificial Intelligence and the Future of Humans and Robots in the Economy". Council on Foreign Relations Malcolm and Carolyn Wiener Annual Lecture on Science and Technology, www.cfr.org. February 27, 2015.

“My mind was by no means easy about the need to carry out a clandestine action in the sovereign territory of a friendly country, and the question of whether it was permissible to do so — from both the ethical and political points of view — had to be faced in all its gravity.”

Source : isser harel (1975). “the house on garibaldi street”

“Forget the complaints against complexity; instead, complain about confusion.”

“The whole process of music for me is something absolutely honest and really naked and bare, so I never forced myself to write in French.”

“That really hurt my feelings, bro.”

“The survivors (of a nuclear war) would envy the dead.”

“I don't even think any stimulants really help writing. You talk to most guys and they say, "Hey. I wrote this." And they're out of their head or they had a few beers or a bottle of whiskey. You wake up the next morning, it's usually pretty crap. But you know Dylan Thomas wrote some great poetry. Brendan Behan. You never know but ultimately I'd say you have to get up early in the morning and you're usually sober when you write your good stuff; it's hard work. So alcohol, keep it for chilling out, fun, and having a good time. Not for work.”

Source : Source: bigthink.com

“The two stallions, the silver and the black, represent the equine god (whomsoever horses pray to) in this ritual so ancient that no one knows what god to thank.”