"Woe to the youth whom Fancy gains, Winning from Reason's hand the reins, Pity and woe! for such a mind Is soft contemplative, and kind."

“There is no end to the good we can do, to the influence we can have with others. Let us not dwell on the critical or the negative. Let us pray for strength; let us pray for capacity and desire to assist others. Let us radiate the light of the gospel at all times and all places, that the Spirit of the Redeemer may radiate from us.”

“And I find chopsticks frankly distressing. Am I alone in thinking it odd that a people ingenious enough to invent paper, gunpowder, kites and any number of other useful objects, and who have a noble history extending back 3,000 years haven't yet worked out that a pair of knitting needles is no way to capture food?”

Source : Bill Bryson (2010). “Notes From A Small Island: Journey Through Britain”, p.145, Random House

“Look to the cross, and hate your sin, for sin nailed your Well Beloved to the tree. Look up to the cross, and you will kill sin, for the strength of Jesus' love will make you strong to put down your tendencies to sin.”

“Not believing in anything is also a religion .”

“I've learned that I can't do it all at once. So, you have to figure out your angle of attack. Coming in on the acting front, acting is a passion of mine. It's a true love. Dancing, I kind of just fell into. Choreographing, the same thing. But making films, producing and directing, that's the heartbeat of my existence.”

Source : "Columbus Short: The This Christmas Interview". Interview with Kam Williams, www.kamwilliams.com. November 17, 2007.

“Maybe getting around in life was nothing but map-reading. A skill that required practice. A key to unlock where you wanted to go. A legend to show where you were.”

“I really hate the people in power. I hate them with every fiber of my being. That is what drives me in almost everything I do.”

“The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.”