"Nast is an artist of uncommon abilities. His works evince originality of conception, freedom of manner, lofty appreciation of national ideas and action, and a large artistic instinct."

“We-each of us-are intricately, irremovably connected to the larger universe. It is our true home, and thinking that this physical world is all that matters is like shutting oneself up in a small closet and imagining that there is nothing else out beyond it.”

Source : Eben Alexander (2012). “Proof of Heaven: A Neurosurgeon's Journey Into the Afterlife”, p.155, Simon and Schuster

“It's interesting. I've known quite a few good athletes that can't begin to play a beat on the drum set. Most team sport is about the smooth fluidity of hand-eye coordination and physical grace, where drumming is much more about splitting all those things up.”

“The idea is: You played to 100 people this week in Europe, and then next week you can play to 200. It's an investment in that territory. But it can lose money because it's very expensive to go to Europe. You can't really just say, like, "Oh, we're gonna take our van and drive to California tomorrow." It's more like, "Oh, we have to fly to London and rent three guitar amps, a bass amp, drums; buy all these flights for four people; hire a driver."”

“They were not easy years. You have to understand, I was raised in a lovely neighborhood, as was Mitt, and at BYU, we moved into a $62-a-month basement apartment with a cement floor and lived there two years as students with no income... Neither one of us had a job, because Mitt had enough of an investment from stock that we could sell off a little at a time.”

“When I was young, I was sold on winning. I was always serious on the court. As I got older, I realized that it was just a basketball game. Just go out there and have fun.”

Source : The InsideHoops Interview, www.insidehoops.com. June 14, 2003.

“Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.”

Source : Source: bigthink.com

“Have you ever had one of those moments when you know that you're being visited by your own future? They come so rarely and with little fanfare, those moments. They're not particularly photogenic. There's no breach in the clouds to reveal the shining city on a hill. No folk dancing children outside your bus, no production values to speak of- just a glimpse of such quotidian, incontrovertible truth that after the initial shock at the supreme weirdness of it all, a kind of calm sets in. So this is to be my life.”

“Both force and money are impotent against ideas.”