"Electric guitars are an abomination, whoever heard of an electric violin? An electric cello? Or for that matter an electric singer?"

-- Andres Segovia

#Guitar Quotes #Singers Quotes #Violin Quotes

“No morality can be founded on authority, even if the authority were divine.”
“In America, you don't even have proper holidays. It's really one of the most prosperous slave societies in history. People work their ***** off all year long and get two weeks off! It's incredible.”
“It's surprisingly difficult to build fake overhead bins, especially ones that, you know, you can open really easily - because when you're floating around, you don't have any traction, obviously.”
“In general, generalization is to lie, to tell lies.”
“GOD: I own you like I own the caves. THE OCEAN: Not a chance. No comparison. GOD: I made you. I could tame you. THE OCEAN: At one time, maybe. But not now. GOD: I will come to you, freeze you, break you. THE OCEAN: I will spread myself like wings. I am a billion tiny feathers. You have no idea what's happened to me.”
“A poet can feel free, in my estimation, to write a poem for himself. Or a painter can paint a painting for himself. You can write a short story for yourself. But for me, comedy by its nature is communal. If other people don't get it, I'm not sure why you are doing it.”

Source : "EXCLUSIVE: Keegan-Michael Key and Jordan Peele Talk Key & Peele Series Premiere". Interview with B.Alan Orange, movieweb.com. January 31, 2012.
“I suppose what's happened recently has confirmed suspicions I voiced in the book, and I think made clearer some of those things that I point out. For instance I have a section of the book where I talk about the possibility of torture.”
“The intrusion of history is not just theoretical. It is also the legacy of being an accomplice or a victim, or just an onlooker. In each case, history entails the uncomfortable presence of earlier unresolved roles.”

Source : Charles S. Maier (1998). “The Unmasterable Past: History, Holocaust, and German National Identity, With a new preface”, p.160, Harvard University Press

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