"I took acting and elocution lessons, to get rid of my Sicilian accent."

--

Maria Grazia Cucinotta

#Acting Quotes #Elocution Quotes #Lessons Quotes

“To be good is noble; but to show others how to be good is nobler and no trouble.”
“The future is called 'perhaps,' which is the only possible thing to call the future. And the important thing is not to allow that to scare you.”
“Do not try to satisfy your vanity by teaching a great many things. Awaken people's curiosity. It is enough to open minds; do not overload them. Put there just a spark. If there is some good inflammable stuff, it will catch fire.”
“We would like otherworldly visitations to come as distinct voices with clear instructions, but they may only give small signs in dreams, or as sudden hunches and insights that cannot be denied. They feel more as if they emerge from inside and steer you from within like an inner guardian angel. . . . And, most amazing, it has never forgotten you, although you may have spent most of your life ignoring it.”
“When weâ€™re unaware that we share the power to co-create reality with the universe itself, that power slips away from us, causing our dream to become a nightmare. We begin to feel weâ€™re the victims of an unknown and frightening creation that weâ€™re unable to influence, and events seem to control and trap us. The only way to end this dreadful reality is to awaken to the fact that it too is a dreamâ€”and then recognize our ability to write a better story, one that the universe will work with us to manifest.”
“Well, I - all cases to me have interest. Every case is important to somebody, the people litigating that case. But the most difficult case for me is the case where one person says a, the other person says b, and you just don't know for certain who is not telling you the truth.”
“Shakespeare is forever coming into our affairs -- putting in his oar, so to speak -- with some pat word or sentence.”
“Sometimes I scrape off a lot. You have on the floor, like cow dung in the field, this big glob of paint... and it's just a lot of inert matter, inert paint. Then I look back at the canvas, and it's not inert - it's active, moving and living.”

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