"It appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don't happen. They must be constructed. ... To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the composition... Only by 'unfixing' the elements traditionally used to construct a piece of music could the sounds exist in themselves-not as symbols, or memories which were memories of other music to begin with."

Source : "Classic Essays on Twentieth-Century Music" by Richard Kostelanetz, Joseph Darby, 1996.

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