"The fashion world is much more ephemeral than the film industry and moves at a faster pace, and it's got even more frenetic since the Nineties; more paparazzi hanging about and it seems to me there are even more fashion magazines."

--

Source : "My Perfect Weekend: Richard E Grant". Interview with Anna Tyzack, www.telegraph.co.uk. December 16, 2010.

Richard E. Grant

#Fashion Quotes #Moving Quotes #Pace Quotes

“The person with the most flexibility has the best chance of achieving the outcome he or she desires”

Source : Tony Jeary, Kim Dower, J.E. Fishman (2005). “Life Is a Series of Presentations: Eight Ways to Inspire, Inform, and Influence Anyone, Anywhere, Anytime”, p.215, Simon and Schuster
“She even touches Jimmy's face on the photos, and I see what it is to love someone like Milla loved that man. Her fingertips are made of love.”
“My mind is like a gyre, and odd juxtapositions happen.”
“Most writers agree on the fact that Zen is not to be understood but to be lived; and far from being incompatible with the requirements of everyday life, Zen confers on it its own full revealing value.”

Source : Robert Linssen (1958). “Living Zen”
“There is nothing to which men cling more tenaciously than the privileges of class.”

Source : Leonard Woolf (1939). “Barbarians Within and Without”
“I'm very proud of what my parents achieved and what they stood for. They didn't have much, but in many ways they were richer than most.”
“What were you chanting when you gave me your blood?â€ â€œMore of my vampire magic. I cast a healing spell to aid the powers of my blood.â€ She sniffled, her nose stuffy. â€œIt was better than Vicodin.â€ â€œVicodin?â€ â€œA painkiller from my world.â€ â€œA killer of pain. Did you love him?â€ The words were growled.A burst of unexpected humor gave her strength. â€œNo. In fact, he was hard to shake. He, uh, stalked me, that kind of thing. I had to pretend he didnâ€™t exist.â€ Nicolai kissed her temple and relaxed against her.”
“It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.”

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