"There are always different influences each season. It could be a person, it could be a piece of furniture; it depends on what I'm obsessing about."

-- Anna Sui

#Different Quotes #Pieces Quotes #Furniture Quotes

“The trouble with law is lawyers.”
“If you look at the history of communication, new technologies like the phone and e-mail didnt just let people do things faster; it fundamentally changed the scope of the kinds of projects people dared to take on.”
“Even when you make a tax form out on the level, you don't know when it's through if you are a crook or a martyr.”
“All lives are composed of two basic elements," the squirrel said, "purpose and poetry. By being ourselves, squirrel and raven, we fulfill the first requirement, you in flight and I in my tree. But there is poetry in the meanest of lives, and if we leave it unsought we leave ourselves unrealized. A life without food, without shelter, without love, a life lived in the rainâ€”this is nothing beside a life without poetry.”
“Motherhood: if it were going to be easy, it never would have started with something called labor.”

Source : Barbara Johnson (2000). “Boomerang Joy: Joy That Goes Around, Comes Around”, p.175, Zondervan
“Some of the most miserable people I know are some of the richest people in America, they are the most miserable individuals I've ever seen.”
“However much we obfuscate or ignore it, we know that the factory farm is inhumane in the deepest sense of the word. And we know that there is something that matters in a deep way about the lives we create for the living beings most within our power. Our response to the factory farm is ultimately a test of how we respond to the powerless, to the most distant, to the voiceless--it is a test of how we act when no one is forcing us to act one way or another.”
“I think a more complex idea of fiction - and the human self's relationship with the world - emerges when we abandon this philistine equation between literature and liberalism and human goodness, and pay some attention to the darker, ambiguous, and often muddled energies and motivations that shape a work of art. If we do this, we can appreciate a writer like CÃ©line or Gottfried Benn without worrying whether they conform to existing notions of political incorrectness.”

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