"Writers that pretend to be in the throes of some kind of genius-demon, some kind of possessing spirit that refuses to let them engage with Normal Life are bullshit artists of the highest degree, looking to excuse their antisocial tendencies and bad manners away with a flourish of vocabulary and the semantic waving of hands."

-- Matt Fraction

#Artist Quotes #Vocabulary Quotes #Hands Quotes

“The trouble with me is that I'm an outsider. And that's a very hard thing to be in American life.”
“My dad's passion was to teach adults to read so they could read to their kids.”
“I think for us - the Weinstein name, the Miramax name - they've both become synonymous with brands. We have a real winning formula when it comes to championing a different kind of movie, and I think the audience trusts us.”

Source : "Exclusive Interview: Harvey Weinstein, on ‘The Intouchables,’ His Career, and What Comes Next". Fandango Interview, weinsteinco.com. July 12, 2012.
“I'm too young at 50. I'm not grown up yet. There's part of everybody like that.”
“As it turns out, we don't "all" have to pay our debts. Only some of us do.”

Source : David Graeber (2014). “Debt - Updated and Expanded: The First 5,000 Years”, p.505, Melville House
“You stars that reigned at my nativity, whose influence hath allotted death and hell.”
“Few are altogether deaf to the preaching of pine trees. Their sermons on the mountains go to our hearts; and if people in general could be got into the woods, even for once, to hear the trees speak for themselves, all difficulties in the way of forest preservation would vanish.”
“If modern design moved the stage picture away from the specific, tangible, illusionistic world of Romanticism and Realism into a generalized, theatrical, and poetic realm in which the pictorial image functioned as an extension of the playwright's themes and structures (a metanarrative), then postmodern design is a dissonant reminder that no single point of view can predominate, even within a single image.”

Source : Arnold Aronson (2005). “Looking Into the Abyss: Essays on Scenography”, p.14, University of Michigan Press

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