"I was cut out of The Doors. I was Okie Girl, a groupie. The powers that be thought that my character made Jim Morrison look too sleazy, if you can imagine. I saw the movie-it was so loud I had a headache for three days."

-- Jennifer Tilly

#Girl Quotes #Character Quotes #Cutting Quotes

“A fool with a tool is still a fool.”
“Catholicism has the clerical equivalent to a nut allergy - even a small exposure to change, and the whole thing will go into anaphylactic shock.”
“I see badly, I hear badly, and I feel bad, but everything's fine.”

Source : "In France, A Citizen Turns 120" by Craig R. Whitney, www.nytimes.com. February 22, 1995.
“Originally the dream was about traveling and developing a job that would permit me to travel. And I decided to go into street performing because it was a traveling job; it would let me go around the world.”
“The idea of interdependence is central to Buddhism, which holds that all things come into being through the mutual interactions of various causes and conditions.”
“That's something you can't get off the wires in New York is people providing intelligent coverage of what your theater company in Podunk is up to. Many of the people who write what we call amateur criticism are professionals in anything other than name and receiving a paycheck. Very often, they know more than the professional critic who might be writing for their local newspaper. So, really, I'm all for it. It's changing the playing field, it's shaking things up, it's going to make the critical environment a healthier environment.”

Source : Source: bigthink.com
“There's a reason for everything, you said, and though it's a mystery to me now, I know it won't always be so.”

Source : Ben Sherwood (2004). “The Death and Life of Charlie St. Cloud”, p.169, Bantam
“If... [Alban] Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes.”

Source : "The Listening Composer". Book by George Perle, p. 98, 1990.

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