"I meet you. I remember you. Who are you? Youâ€™re destroying me. Youâ€™re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. Youâ€™re destroying me. Youâ€™re good for me. Youâ€™re destroying me. Youâ€™re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you."

-- Marguerite Duras

#Sweet Quotes #I Like You Quotes #Night Quotes

“When a new idea comes our way, we must put it on our mental scales and weigh it carefully before deciding its value.”
“Most of my training at graduate school was geared towards drama, so I feel good about it, and I can do it, but it requires a lot more work from me. I feel like with drama... well, with all acting, really, you need to honor the truth of the situation.”

Source : "Biography / Personal Quotes". www.imdb.com.
“The soul's bliss and suffering are bound together.”

Source : Jane Kenyon (2005). “Collected Poems”, Graywolf Press
“Potential does not always ensure success. The greatest players have not always been the most endowed. In athletics, we often hear the phrase, "He has the will to win". I think this is wrong. We can have the greatest will to do well. But unless we have prepared, it is of little use. Really, it should be the "will to prepare". Those who succeed have this will, whether it be in athletics, whether it be in school, whether it be in their chosen vocation, whether it be on a mission, or in almost any other phase of their life.”
“In terms of characters I wish I had created - just because I haven't dealt with anything like them - I'm really impressed by characters who can endure over time, whether that be a long series run like a Harry Bosch, or a character who endures over generations and continues to please readers: Sherlock Holmes.”

Source : "Michael Connelly on the Book He Had To Stop Writing". Interview with Nathan Rostron, www.bookish.com. February 4, 2013.
“And, you know, I think the original recording of Ravel's Bolero, probably whoever played percussion on that, will never have It played better than that.”
“I think it's a fun thing, and perhaps maybe very so slightly as an American, it's a slightly different thing that they didn't do as much of when the show was 100 percent written by Brits just because I'm not sure they were quite as familiar with some of these little moments in our government system.”

Source : Source: deadline.com
“Two children of same cruel parent look at one another and see in each other the image of the cruel parent or the image of their past oppressor. This is very much the case between Jew and Arab: It's a conflict between two victims.”

Source : Interview with Elizabeth Farnsworth on PBS, 2002.

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