"Germany and Israel should dream together for a Middle East in which all the countries are willing to exchange the dispute of the parents with peace for their children."

-- Shimon Peres

#Dream Quotes #Country Quotes #Children Quotes

“One must never forbid oneself anything. One must also be able to go back, one must always be able to change...”

Source : Hans Hartung, Metropolitan Museum of Art (New York, N.Y.) (1975). “Hans Hartung: Paintings, 1971-1975 : [exhibition], October 16, 1975-January 4, 1976 : [catalogue].”, p.25, Metropolitan Museum of Art
“The dragonets found the carpenters to be even more fascinating than the furniture, and followed the poor men from pen to pen, crowding around to watch, tasting the wooden planks, trying to steal the tools. It made for an interesting day for everyone, as the boys tried to keep the dragonets away from the carpenters, and the dragonets tried to get at the carpenters, and the carpenters worked probably a great deal faster than they ever had in their lives, sure that the dragonets would go from tasting the wood to tasting them.”
“Public opinion should not be confused with popular sentiment. Popular sentiment is what people say to one another around their dinner tables. Popular opinion is what they say to callers from polling organizations.”
“Language. By this we build pyramids, fight battles, ordain and administer laws, shape and teach religion, and knit man to man, cultivate each other, and ourselves.”
“My first movie. I think I won an Oscar for this.”
“'District 9', 'Elysium' and 'Chappie' were all born out of some visual concept first. 'Chappie' is the imagery, because I think I'm a visual person first, of this ridiculous robot character. It's much more comedy based and in an unusual setting.”
“[Belafonte] was a good teacher and looked after me. He said, 'You have such great talent, you must try not to be a tornado - be like a submarine. It was good advice when I found myself speaking at the UN Committee Against Apartheid and then the UN General Assembly.”
“The poems in Helena Mesa’s virtuosic first book, Horse Dance Underwater, run with such speed, verve, and alacrity they leave you breathless, exhilarated, and transformed as if the purest kind of song had lifted you into the air. By this quickness of language finding lyric speech, Mesa’s poems remind us of art’s joyous and ecstatic effects.”

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