Quotes
Authors
Dizzee Rascal

"I just know that he's Robbie Williams - he's massive, that's all I know! He nailed it. Working in the studio with him was cool. I got there at about six in the afternoon and then stayed until six in the morning. We only worked for like two hours, the rest of the time we were just chilling out the back. The way Robbie handles everything... he's a star, but there were never any pretensions, no ego. He put effort in."

Source : Source: thequietus.com

Dizzee Rascal

#Morning Quotes #Stars Quotes #Two Quotes

“I'm Galladon, from the sovereign realm of Duladel. I'm most recently from Elantris, land of sludge, insanity, and eternal perdition. Nice to meet you.”
“There are strengths in Islamic tradition. Islam actually, as a monotheistic religion, which defined man as a responsible agent by itself, created the idea of the individual in the Middle East and saved it from the communitarianism, the collectivism of the tribe.”
“In such ugly times, the only true protest is beauty.”

Source : Liner notes for studio album "Pleasures of the Harbor" by Phil Ochs, October 31, 1967.
“If a monk can overcome two things, he can become free from the world. Bodily ease and vain-glory.”
“He mighta spent a couple years under the arena training young wrestlers.”
“If current trends continue, the typical U.S. worker will be considerably more productive several decades from now. Thus, one might argue that letting future generations bear the burden of population aging is appropriate, as they will likely be richer than we are even taking that burden into account.”
“He cannot have God for his Father who will not have the Church for his mother.”
“Post-Modern space is historically specific, rooted in conventions, unlimited or ambiguous in zoning and irrational or transformational in its relation of parts to wholeâ€¦â€¦. â€¦skew or distorted spaces, created by sharp angles which exaggerate perspectiveâ€¦. â€¦always keep a mental coordinate system no matter how free- form and baroque they become. The reference plane is always an implied frontality, and the route through the building or the curvilinear elements then relate to this conceptual cage”

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