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“When I was in New York, a lot of my friends were studying filmmaking and would bring their scripts to me, as I was a good script doctor. I would read their scripts and make corrections to them for $20 per script and was fascinated by films.”
Source : FaceBook post by Arjun Rampal from May 19, 2016
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“People are just too hopeful, and sometimes hope is the biggest weapon of all to use against us. People will believe anything.”
Source : Edwidge Danticat (2004). “Krik? Krak!”, p.16, Soho Press
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“I happen to believe that health care is an imminent crisis. It is.”
Source : "Exclusive: Eric Massa on 'Glenn Beck'". "Glenn Beck Program", www.foxnews.com. March 9, 2010.
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“You must continue to go back to the beginning, to the foundation, and question the foundation. Even once you‘ve reached Samadhi you must go back so you can create it at will. Samadhi is the beginning of spiritual growth, not the end. You must always be questioning. Enlightenment comes as an accident at first, then you have to learn to recreate it.”
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“My friends gave me the first songs which was the first food in my soul for me.”
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“Fulfillment is structured in achievement, Achievement is structured in action, Action is structured in thinking, Thinking is structured in knowledge, Knowledge is structured in consciousness”
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“I was associated with the Artist Placement Group in the early 1970s and David Hall, the video artist, was an Artist Placement Group artist. I was completely broke at that time, and he said to me, "Come and do some teaching" - he was head of department at Maidstone College of Art. And I went and did a couple of teaching days and practically the only person who showed up was David Cunningham [Flying Lizard's main man], with all of this finished work”
Source : "The Strange World Of... David Toop". Interview with Karen Shook, thequietus.com. June 28, 2016.
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“Oh, we are but soft and squishy bags of mortality rolling in a bin of sharp circumstance, leaking life until we collapse, flaccid, into our own despair..”
Source : Christopher Moore (2010). “Fool”, p.105, Hachette UK