"I mean 'One Tree Hill' had some rabid fans - you'd be surprised - they're almost in a class of their own."

--

Joe Manganiello

#Mean Quotes #Class Quotes #Tree Quotes

“Masculinity varies from time to time and place to place. But it doesn't exist just in the mind of a single guy: it is shared withthe other guys. It is a code of conduct that requires men to maintain masculine postures and attitudes (however they are defined) at all times and in all places. Masculinity includes the symbols, uniforms, chants, and plays that make this the boys' team rather than the girls' team.”
“The moral qualities are more apt to grow when a human being is useful, and they increase in the woman who helps to support the family rather than in the one who gives herself to idleness and fashionable frivolities.”
“Are we changing the idea of what beauty is? Let's hope so. I'm not the typical Hollywood beauty. Let's hope we're looking at the insides of people a little more.”
“Besides Scream, I liked The Purge. It stuck with me because it reminds me of boxing - you have 45 minutes to punch someone legally without consequence.”
“Listen, I didn't know how to make coffee when I came to the United States. Because in Colombia the maids do it.”
“Intimacy, says the phenomenologist Gaston Bachelard, is the highest value. I resist this statement at first. What about artistic achievement, or moral courage, or heroism, or altruistic acts, or work in the cause of social change? What about wealth or accomplishment? And yet something about it rings true, finallyâ€”that what we want is to be brought into relationship, to be inside, within. Perhaps itâ€™s true that nothing matters more to us than that.”

Source : Mark Doty (2002). “Still Life with Oysters and Lemon: On Objects and Intimacy”, p.6, Beacon Press
“Our too-young and too-new America, lusty because it is lonely, aggressive because it is afraid, insists upon seeing the world in terms of good and bad, the holy and the evil, the high and the low, the white and the black; our America is frightened of fact, of history, of processes, of necessity. It hugs the easy way of damning those whom it cannot understand, of excluding those who look different, and it salves its conscience with a self-draped cloak of righteousness”

Source : Richard Wright (2010). “American Hunger”, p.15, Harper Collins
“Watching first nights, though I've seen quite a few by now, is never any better. It's a nerve-racking experience. It's not a question of whether the play goes well or badly. It's not the audience reaction, it's my reaction. I'm rather hostile toward audiencesÂ—I don't much care for large bodies of people collected together. Everyone knows that audiences vary enormously; it's a mistake to care too much about them. The thing one should be concerned with is whether the performance has expressed what one set out to express in writing the play. It sometimes does.”

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