Quotes
Authors
Yokoyama Sakujiro

"In holding your antagonist, therefore, you should hold him lightly as if your arms were nothing but chains which connect you with him, so that you may stretch or contract them at will when necessary, and pull or push him in any direction you choose. If you pull your opponent or apply your tricks on him by putting from the beginning too much strength in your arms, then you are going to contest with him by means of your power and against the principles of Judo. In doing so, you can never expect to succeed in your contest."

-- Yokoyama Sakujiro

#Mean Quotes #Principles Quotes #May Quotes

“Object in/ and space - the first impulse may be to give the object - a position - to place the object. (The object had a position to begin with.) Next - to change the position of the object. - Rauschenberg's early sculptures - A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden - The rocks can be anywhere (within the garden)...”
“I have no connections here; only gusty collisions, rootless seedlings forced into bloom, that collapse. ... I am the Visiting Poet: a real unicorn, a wind-up plush dodo, a wax museum of the Movement. People want to push the buttons and see me glow.”
“The reason I love the sea I cannot explain - it's physical. When you dive you begin to feel like an angel. It's a liberation of your weight.”
“... What matter, so there is but fire In you, in me?”
“You try for a little happiness, and what do you get? A few memories and a fat stomach!”
“I must stop him from being one of those who call themselves good because they have no claws.”
“See what is worth learning, and what is worth doing. Thus, you gain an understanding of what is vital, and what is not vital. You need to learn what is important and what is not important. You need to understand what will move you upwards and onwards, and what will hinder you from traveling the higher path.”
“But I have seen my obstacles: trivialities, learning and poetry. This last needs explaining: the old artist's readiness to dissolve characters into a haze. Characters cannot come alive and fight and guide the world unless the novelist wants them to remain characters.”

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