-
“I have urged on woman independence of man, not that I do not think the sexes mutually needed by one another, but because in woman this fact has led to an excessive devotion, which has cooled love, degraded marriage and prevented it her sex from being what it should be to itself or the other. I wish woman to live, first for God's sake. Then she will not take what is not fit for her from a sense of weakness and poverty. Then if she finds what she needs in man embodied, she will know how to love and be worthy of being loved.”
Source : Margaret Fuller (2012). “Woman in the Nineteenth Century”, p.116, Courier Corporation
-
“I accept that climate change is a challenge, I accept the broad theory about global warming. I am sceptical about a lot of the more gloomy predictions.”
Source : Interview on "Four Corners", ABC TV, August 28, 2006.
-
“When it comes to controlling human beings, there is no better instrument than lies. Because you see, humans live by beliefs. And beliefs can be manipulated. The power to manipulate beliefs is the only thing that counts.”
-
“The unique thing about Margaret Rutherford is that she can act with her chin alone. Among its many moods I especially cherish the chin commanding, the chin in doubt, and the chin at bay.”
Source : Kenneth Tynan (1961). “Curtains: Selections from the Drama Criticism and Related Writings”
-
“It is true that women tend to be more identified with their bodies because in this crazy world, both men and women measure women's value as human beings in relationship to their physical appearance.”
-
“Let me not then die ingloriously and without a struggle, but let me first do some great thing that shall be told among men hereafter.”
-
“Nietzsche ... argues that all that passes in the life of a society is ephemeral and banausic except for the presence of great personalities, of men like Goethe ... who seem to forge their own destinies, who seem to move unhampered by those burdens of existence which keep most men from rising above the vicissitudes of their daily toil.”
Source : John Carroll (2010). “Break-Out from the Crystal Palace: The Anarcho-Psychological Critique: Stirner, Nietzsche, Dostoevsky”, p.76, Taylor & Francis
-
“It's closer to just acting in a film because it was a six-month commitment. We got to fly all over the world.”
Source : "Alan Tudyk on making Moana's chicken noises and his fear of becoming Rogue One's Jar Jar". Interview with Esther Zuckerman, film.avclub.com. December 7, 2016. 
