"I'd love to live nonbiologically and move about at the speed of light and be in communication with a million people at once and create works of art that are grand and sophisticated and very human at the same time so all these types of things."

--

Source : "Barry Ptolemy Gets Personal". Big Think Interview, bigthink.com. April 27, 2009.

#Art Quotes #Moving Quotes #Communication Quotes

“Money corrupts the process of reasoning.”
“I focus best and am most productive when Iâ€™m working in a friendâ€™s empty apartment. Itâ€™s hard for me to work at home. Too easy to procrastinate online, too easy to be distracted by the state of perpetual domestic chaos that rules my home.”
“You're dead," I repeated. "So why are you in my dream?" He raised the bill of his olive drab ball cap with one finger. " Good question. Morbid, isn't it?" "What?" "Dreaming about dead peolpe. Creepy. You ever see a therapist about that?" "I'm not -" Even in dreams, I couldn't win an argument. Even when he was dead.”
“There are lovers content with longing. Iâ€™m not one of them.”
“There are certain times when you can maybe intimidate certain people to force them to make a mistake. There are other people you know that you've got to make a clean pass. I try to make clean passes. That's something that I've been doing since I was 7 years old and that's the way I like to do it. It doesn't mean I always do it that way, but that's the way I prefer to do it.”
“In the mid-nineties, diversity in the fashion/beauty business was hard to come by.”

Source : "Hyeeeee-ya!" by Joy Bryant, www.huffingtonpost.com. October 12, 2008.
“It [lighting the set up] is quite a process. It's like drawing. It's like being an artist. You pencil it in first, and then you ink it. When you're filming, it's like you're penciling it all in. You know where everything is going to go. But, that application of the final ink takes some time.”
“Deep breaths are very helpful at shallow parties.”

Source : "How to Talk With Practically Anybody About Practically Anything". Book by Barbara Walters, 1970.

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