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“It is a great honor for me to be compared to Henri Cartier-BressonBut I believe there is a very big difference in the way we put ourselves inside the stories we photograph. He always strove for the decisive moment as being the most important. I always work for a group of pictures, to tell a story. If you ask which picture in a story I like most, it is impossible for me to tell you this. I don't work for an individual picture. If I must select one individual picture for a client, it is very difficult for me.”
Source : Source: www.identitytheory.com
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“One of the things about working over decades is the cumulative and the durational effect of work. That the updating process of a work happens less in changing the work than the way it's being read for a specific time.”
Source : Source: collider.com
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“The secret to a long marriage in the film industry? Marry someone wonderful, as I did. And always have her come along on location.”
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“Luxury possibly may contribute to give bread to the poor; but if there were no luxury, there would be no poor.”
Source : "Introduction to the art of thinking, to which is prefixed an original life of the author".
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“If it’s change you need, relish the journey.”
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“There's only just so much you can do; I prefer to do only a couple of things and go to some depth in them.”
Source : "The Music Show" with Andrew Ford, www.abc.net.au. August 24, 2002.
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“I'm not particularly attention-seeking.”
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“It was both comforting and terrifying to go in to audition for 'The Girl in the Cafe,' as I'd worked with everyone in the room on 'State Of Play.”
Source : Biography/Personal Quote, www.imdb.com.