"When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively."

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Source : "A door to freedom" by Chris Ofili, www.theguardian.com. September 20, 2009.

Chris Ofili

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